| US 7,583,355 B2 | ||
| Method and system for preserving the creative intent within a motion picture production chain | ||
| Mitchell J. Bogdanowicz, Camarillo, Calif. (US); Nhon N. Chu, Paris (France); and Martin E. Oehlbeck, Rochester, N.Y. (US) | ||
| Assigned to Eastman Kodak Company, Rochester, N.Y. (US) | ||
| Filed on Jun. 02, 2005, as Appl. No. 11/143,168. | ||
| Application 11/143168 is a continuation of application No. 10/740324, filed on Dec. 18, 2003, granted, now 6,972,828. | ||
| Prior Publication US 2006/0001832 A1, Jan. 05, 2006 | ||
| This patent is subject to a terminal disclaimer. | ||
| Int. Cl. G03B 19/18 (2006.01) | ||
| U.S. Cl. 352—38 | 8 Claims |
| 1. A method for communicating and preserving creative intent at different phases of a motion picture production cycle comprising
the steps of:
(a) providing an original scene image comprising one of a still image, a computer generated image and a sequence of images
during either the pre-production stage or the production stage;
(b) generating a look representative of a creative intent, wherein the look is a digital representation of a creative alteration
of the captured original scene image;
(c) sharing the look as an image by using a first display device including either a thermal print, an ink jet print, or an
electronic display;
(d) storing the digital representation of the look as a recipe including all of a user's creative choices altering the original
scene image; and
(e) communicating the recipe to a remote site for replication of the look on a second display device.
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